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Saboteur

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Saboteur (1942) has never figured among Alfred Hitchcock's most beloved movies, and there are good reasons for that. If I have a weak spot for it, though, there are several explanations. There's Bob Cummings, who was a brilliant TV star in the Fifties. Here, he reminds me of my late Uncle John. There's Priscilla Lane, with whom John's parents were photographed on a studio tour not long after Saboteur was made. Mostly, though, there's the preview of North By Northwest. Anybody who loves that movie ought to know Saboteur just to see the seeds that would flower in greatness. Like North By Northwest, Saboteur is even more obsessed by monuments and great public buildings than the ordinary Hitchcock film. It also involves international espionage. And it hinges on an innocent man's cross-country attempt to clear his name. The most striking difference between the two movies is that it's the bad guy who's hanging by his fingernails at the end.

Actually, Saboteur is a party tape. Who can make the most connections between the two films? It's not as though North By Northwest has the more prestigious monuments, either. Saboteur boasts the Hoover Dam, Radio City, the Brooklyn Navy Yard, and the smashingly iconic Statue of Liberty - a gift, it is noted, from the French.

The Cold War - it was cold. Who could work up a lot of hatred for James Mason's Vandamm? He was just a bad guy. The bad guys in Saboteur are far more toxic. They hate America. They despise it even as they want to rule it. Sound familiar? Here's the exchange between the Wrong Man (Barry Kane) and the Bad Guy (Otto Kruger) in the last of the film's discursive scenes. Even James Stewart couldn't have made it more patriotic.

Barry Kane: Why is it that you sneer every time you refer to this country? You've done pretty well here. I don't get it.

Charles Tobin: No, you wouldn't. You're one of the ardent believers. The good American. There are millions like you. People who plod along without asking questions. I hate to use the word "stupid," but it seems to be the only one that applies. The "great masses." The "moron millions." Well, there are a few of us who are unwilling to just troop along. A few of us who are clever enough to see that there's much more to be done than just live small, complacent lives. A few of us in America who desire a more profitable type of government. When you think about it, Mr Kane, the competence of totalitarian nations is much higher than ours. They get things done.

Barry Kane: Yeah, they get things done. They bomb cities, sink ships, torture and murder so you and your friends can eat off of gold plate. It's a great philosophy.

Charles Tobin: I neither indent to be bombed nor sunk, Mr Kane. That's why I'm leaving now. And if things don't go right for you, if, uh, we should win, then I'll come back. Perhaps I can get what I want then. Power. Yes. I want that as much you want your comfort or your job or - that girl. We all have different tastes, as you can see. Only, I'm willing to back my tastes with the necessary force.

Barry Kane: You certainly make it sound smooth and easy. Well, that's a trick. I know the results of that power you believe in. It killed my friend and is killing thousands like him. That's what you're aiming at, but it doesn't bother you - I can see that. Because you really hate all people. Let me tell you something. The last four or five days, I've learned a lot. I've met guys like you, and I've met others. People that are helpful and eager to do the right thing. People that get a kick out of helping each other fight the bad guys. Love and hate. The world's choosing up sides. I know who I'm with. There are a lot of people on my side. Millions of us in every country. And we're not soft. We're plenty strong, And we'll fight standing up on our two feet and we'll win: remember that, Mr Tobin. We'll win no matter what you guys do. We'll win if takes from now until the cows come home.

Charles Tobin: Mr Kane, I think we've discussed the rights of man sufficiently.

There are days when I believe that William F Buckley should be dragged out à la lanterne while he's still alive, just to make clear the utter blackness of his sin against the republic of which he professes, quite without justice, to be so proud. He was never at any time very different from Charles Tobin, except in staying in situ, to oversee the plot that eventually made anybody who sounds like Barry Kane seem to be a radical leftist. Mr Buckley, father of modern conservatism, also hates the plodding millions. His message was always Charles Tobin's.

In any case, rent the movie. Put up with its starch. You will never forget the ending.

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Comments

Can't wait. Remember the Hitchcock course we took (and I slept through, thanks to my Wall Street hours) at The New School?

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