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June 30, 2005

Whither Europe

William Pfaff has published a characteristically wise post-mortem of the European Constitution. Mr Pfaff, neither idealistic nor pessimist, has a nose for the unrealistic, which is a great help in trying to distinguish the workable aspects of a remarkable treaty organization from the wishful ones. He can also spot a rush to premature conclusions.

I will be very interested to know what my French visitors make of Mr Pfaff's analysis of their compatriots' rejection of the constitution.

In 1991 the French public, urged to do so by President François Mitterrand, approved the Maastricht Treaty confirming the expansion of the EU to twelve nations and proposing steps toward a common currency. Comparison of the May 29 exit polls in France with those of the referendum on the Maastricht Treaty shows no strengthening of extremist parties. Nor do the polls show new class, ideological, or regional divisions, or a rural–urban divide, or even one between the employed and unemployed. Retired people mostly voted yes both times, as did the professional and upper middle classes.

The decisive difference was a big shift in the vote of the "intermediate" trades and professions that make up the lower middle class. These include schoolteachers, nurses and hospital technicians, accountants, department heads in shops, and salesmen, among many others. The "no" vote of this group increased by seventeen points between the Maastricht referendum and 2005, producing a 53 percent majority.

In 1992 this group was the great beneficiary of the prosperity of France's so-called glorious thirty postwar years. Its members were making more money than ever before, buying new houses in better suburbs, and had high expectations about their own future and particularly that of their children. That optimism now has disappeared, and people fear falling back. They have lost buying power and are afraid for their children. They are working harder (the thirty-five-hour work-week notwithstanding) but losing ground. These above all are the people who see "France in decline," while their own situation seems ignored by management and unions alike; they are overlooked by the press, and treated with indifference by governing elites in Paris and Brussels.

It sounds plausible to me, but what do I know?

In the News

Spain legalised same-sex marriages on Thursday, becoming only the fourth country to do so after Belgium, Canada and the Netherlands and dealing a blow to the Catholic Church in a traditional stronghold.

That's from a Reuters story in the New York Times. Online, that is. The news is too fresh for the presses. There will be something in the paper tomorrow, I suppose. Bummer, waking up in Europe's afternoon. In any case, there are two things about the sentence that I've quoted that catch my attention. The first: "only the fourth." As Ms NOLA would say, "What is that?" The other thing, more profound, not in the text, is the reminiscence of the last time Spain tried to leap into the present. Not everybody was ready for the move, and the ensuing civil war is fondly regarded by many casual historians as a dress rehearsal for World War II's atrocities. (Funny thought that just went off with a boy-am-I-stupid pop: the heart of the European war wasn't against Russia or the Allies, but against the Jews. Just because the Jews had no military and were more or less defenseless doesn't mean that they weren't fighting. And Hitler was insane enough to put the war against the Jews ahead of the other wars when it came to, say, dispatching trains.) Perhaps we can draw hope from the fact that, this time, Spain isn't trying to catch up with the present. It's jumping into the future.

Diane Johnson's Neighborhood

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At the museum on Friday, I picked up a copy of Diane Johnson's Into a Paris Quartier (National Geographic, 2005). Ms Johnson and her husband spend half of every year in France; currently, she's living on Rue Bonaparte in the Sixième, just up the street from St-Germain-des-Prés and around the corner from the Institut de France. Rashly or not, she provides her street address, and I have to wonder if this will lead to inconvenience, as there are doubtless many Le Divorce-clutching Americans who would love to attend an impromptu book signing at the author's front door.

Much of the pleasure of this book comes from its narrative voice, which is quite unlike that of Ms Johnson's fictional omniscient observers. In her novels, Ms Johnson underlines her American protagonists' blunders with a voice that sounds almost incapable of error. You will learn things about French life from Ms Johnson's novels, useful things. Ms Johnson herself has already learned them. In a Paris Quartier is stuffed to the twelve-foot ceilings with things that Ms Johnson doesn't know. I wasn't surprised to learn that she had never heard of the académicien into whose apartment she stumbled on a househunting expedition, but I was very surprised indeed to learn that, having discovered that she really loved reading the man's novels, that, indeed, he has become her favorite French novelist, she reads him in English, not French, because reading in French slows her down. Hearing this, I felt something like Dorothy upon meeting the Wonderful Wizard. Reading in foreign languages is bound to be slower for all but the truly bilingual, but I soldier on because I don't really believe in translation. Ms Johnson does, however, and more power to her. I found the admission mightily endearing.

Continue reading about Into a Paris Quartier at Portico.

June 29, 2005

Vlad the Impaler/Oh, I Get It: Marquise-cut stones look just like footballs.

¶ Here's a link that simply won't hold until the weekend (you've noticed my new rubric?): Max forwarded this news item showing Vladimir Putin getting away with something that might well lead to murder where he comes from; a bit of Googling brought forth an image of the ghastly loot. Max writes, "Occasionally you'll see articles in the Globe about the thuggish hypertrophied Partriots players flashing [rings such as this] around town."

¶ And while I'm linking and you're laughing, Joe Jervis has just promulgated a Decalogue for the Blogosphere. Go thou and do likewise. (I think that the preceding paragraph violates Rule No. 2.)

Call me Prince Henry

At some point yesterday, my NewsGator feeds stopped coming in - and I was too preoccupied with my own stuff to notice. I rely on NewsGator to tell me when certain favorite sites have been updated (when new entries have been posted, that is), and I ought to have been suspicious about everybody's being so quiet, but, hey, it's summer. In fact, almost everybody had posted something "while I was out." Speedy commenter that I try to be, I felt that I'd been very rude.

And what was I doing? Exploring the Blogosphere. It's certainly not Web surfing, and it's not fun, although it can be very interesting. I am working on a taxonomy of the kinds of blogs that interest me. Parenting blogs, expat blogs, satirical blogs. Political blogs of course, even though I don't spend much time visiting them these days. Taxonomy is always somewhat arbitrary, I know. Are blogs written by openly gay people, for example, "gay blogs"? I'm not even sure that there is such a thing as a gay community, anymore than there is a straight community. But I want to get a grip on the virtual geography; all too human, I can't allow the chaos to swirl untended. My method is to run through all of the links on an interesting blog's roster of presumably interesting links. Some sites don't hold my attention for very long, but a surprising (and taxing) number do. I don't believe that it has ever before been possible to witness the variety of human existence that a voyage among blogs makes manifest. If you don't look closely, everybody looks more or less the same - everybody is, after all, writing. But get closer and the uniqueness becomes palpable. Everywhere and all the time, there are people living, feeling, and expressing themselves. Of course we know this, but to see it is fearful, just as having a momentary sense of the size of the universe can be overwhelming.

What's this? NewsGator just popped: something new at Sale Bête.

Notre immeuble, notre appartement

Notre appartement se trouve dans un immeuble qui fut construit en 1963 – pas une bonne année ni pour l’esthétique architecturale ni pour la construction fiable. On y méprise le style de l’immeuble ; c’est d’un revêtement de la « white brick » (brique blanche). Il y a beaucoup d’appartements à l’intérieure – presque huit cent. L’immeuble s’appelle quelque chose de prétentieux, mais nous l’appelons « L’arche de Noé », car parmi les habitants il y a au moins deux exemplaires de tout genre humain.

L’appartement consiste en quatre pièces, avec une entrée et deux salles de bain. Le salon est un peu plus grand que les deux chambres, dont une nous servons comme chambre à coucher, et l’autre comme bibliothèque. On dîne au salon. J’ai environ deux à trois mille livres, dont j’ai bien lu la plupart. Nous n’avons pas de rayons suffisants pour les livres, parce que malheureusement nous avons aussi une petite collection d’art, composée de tableaux et d’estampes. On ne peut que consacrer chaque millimètre carré de mur à l’une collection ou à l’autre. La chambre à coucher a tout le temps l’air ensoleillé, grâce à la couleur jaune foncée des murs. Nos fenêtres donnent sur l’est.  

La cuisine, c’est un trou. Je ne peux pas en parler. Mais c’est moi qui fait la cuisine. En revanche, nous jouissons du large balcon, ou on peut s’asseoir des heures, en regardant les avions en train d’atterrir à l’aéroport La Guardia.

June 28, 2005

No Politics, Please; We're Americans

With every White House press conference transcript that I read, Scott McClellan sounds more like a Stalinist goon. Yesterday, the Times ran a story about three liberal activists (let's call them) who claim to have been thrown out of a "taxpayer-financed Bush Social Security event" in Denver by a man who presented himself as Secret Security. Why? One them drove a van with a "No Blood for Oil" sticker on its tail. The Secret Service denies having had any dealings with the Denver Three, who in turn are persisting in their search for the "mystery man" who manhandled them, and they're getting some support, even from Republicans. The president is so notorious for preaching to the choir and only to the choir that even Republicans are getting a little nervous.

Not Scott McClellan, of course. He doesn't want to talk about the incident, pointing out that occurred on 21 March - old hat! Thank you, Scott, for the new statute of limitations on political news! But notice Mr McClellan's fascist phrasing:

It's clear that these three protesters are trying to advance their own political agenda.

Wow! How low can you go! What could be more despicable than attracting the attention of journalists in order to advance your own political agenda! Such, at least, is the response that Mr McClellan is clearly hoping to arouse. The first rule of fascism is that politics are bad. And observe that Mr McClellan says "trying," not "lying."

Not since Charlie Ravioli

Real tears am I weeping, having just learned that Adam Gopnik's piece about a dead pet fish, in the 4 July 2005 issue of the magazine that he writes for, is not on line! So you must buy the magazine yourself, if you don't already get it, and make sure to be the first person in the house who reads it.

Humanity being what it is, there are intelligent people who will argue that their loathing of Adam Gopnik's writing can be supported by cogent argument. I know what's driving them nuts: this is work that stands the idea of "substance" on its head. Beethoven famously denounced Mozart's Così fan tutte as a waste of ravishing music upon an unworthy plot. But Beethoven was wrong, awfully - as he usually was in matters relating to wit. We are learning that the things that our grandfathers regarded as "important" are really cardboard constructs unworthy of the time of day. I myself am completely prostrated by the virtuosity of "Death of a Fish," which relates events occurring not six months ago, in convenient journalistic style, but at the beginning of June 2005, which as of this writing is still the present month. The crazing of allusion and significance that distinguishes Mr Gopnik's essays in general, and this one - which really is about how his family handled the strange death of a pet betta - in particular, from the efforts of rude and unfinished littérateurs is manifest in the uncannily nimble invocation of Alfred Hitchcock's Vertigo as a catechism for dealing with suddenly bereft children. Who'd a thunk it?

The fish dies because it finds an unintended channel in the Disneyland castle that Mr Gopnik has bought for it as compensation for his daughter's being littler than his son. The fish gets stuck in a window of its castle - a misadventure that summons hilariious changes on the bells of Manhattan real estate - and dies. How to tell little Olivia? I suspect that Mr Gopnick has devoted a leetle more attention to figuring out how to tell us about the death of Bluie over the past twenty days. The breathtaking aspect of the essay, though, is the sudden maturity of Luke, the son who is now ten, but who used to have an imaginary friend, invented to compensate for his parents' addiction to telephonic filofaxing, named Charlie Ravioli. Charlie Ravioli was never available for meetings; your girl called his girl. This was a child's imaginary friend. Albeit a New Yorker child. Moi, I would not not have reported, in "Death of a Fish," that my precocious son called his fish "Django," a name that Luke could not possibly have discovered on his own (let us hope; it would almost certainly involve the smoking of cigarettes). Was it really so long ago, the Charlie Ravioli piece? Undoubtedly; children are fast.

Update! Ahem. As my dear Kathleen has pointed out in the comments, Charlie Ravioli was Olivia Gopnik's invention, not her brother's. That's what I get for writing late and not checking things out. Olivia is some little girl!

What I am up to.

Take the MIT Weblog Survey

At Silt 3.0, a Web log written by an American in Amsterdam, I encountered a variant of the button above, which I encourage all bloggers to press. The link is to an interestingly complex survey about the relation between blogging and more venerable forms of human interaction.

Eight months into proper blogging, I feel more committed to writing for this site than I have ever felt about anything, even paying jobs. I know that blogging has been around for a while, but from the perspective of someone close to sixty, it doesn't make much difference whether I discovered blogging in 2004 or 2002. Almost immediately, I saw that it was the answer to a question that I hadn't known how to ask. I've only just begun to feel that my little vessel is sailing a smooth course; I no longer begin the day wondering what I'm going to do next.

And I've gotten used to the quiet atmosphere, which is sometimes, dishearteningly, quite SETI-like. I'd prefer to have a bit more traffic, and I don't think that I'll ever garner too many comments, but I'm learning not to count. I'm discovering that quality and quantity are on many levels inversely related. Sunday's entry alone elicited three well thought-out comments, one of them an entry manqué for his own blog by Joe Jervis of Joe.My.God. Très cool, in my not-very-humble opinion. Mine is not a blog for jumping in and out of, and I assume that there are few ADD-sufferers among my readers. Nor does this blog have what you might call an area of concentration. I am always reminded of my friend Rob, who said one night at dinner that the Daily Blague is a forum for my "philosophy," a remark that stunned me at the time but that may really be quite accurate. The site is that general.

I have yet to encounter a blog that reminds me of mine. That's disappointing, because I don't have anyone to measure up against. This isn't to say that there aren't a lot thoughtful, well-written blogs out there. But the primacy of blogging in the hierarchy of things that I do makes for a difference. The only other blogger who doesn't have a day job (that I'm aware of) is Jason Kottke, and I write a great deal more about a broader range of things than Mr Kottke does. (This is not to say that I keep a better blog.) I am also not a computer engineer, and have nothing to say about the technology of blogging. My command of that technology is very limited, and it was painfully acquired. The last thing I want to write about is how I'm dealing with, say, comment spam. This - what you're reading - is how I talk about blogging.  

One of the MIT survey questions asked how long I'm planning to maintain and update my blog. The response options ranged from "I have already stopped it." to "5 years or more." I chose the latter and moved on, wondering however if it isn't a bit lazy to assume that blogging will still be what I want to do in 2010. I don't assume that I'll still be around in five years (I do hope to be), but I'm pretty certain that blogging, or its assigns and successors, will be occupying the foreground of my life if I am. 

(What a crushing thought: five years of this torrential verbiage!)

June 27, 2005

Blinkanomics

Blink: The Power of Thinking Without Thinking and Freakanomics: A Rogue Economist Explores the Hidden Side of Everything.

Malcolm Gladwell's latest book has been in the house for so long that it was in danger of no longer being his latest book. I exaggerate, perhaps, but I had a real reluctance to open Blink: The Power of Thinking Without Thinking (Little, Brown; 2005), and the subtitle may tell you why. A book celebrating the power of snap judgments had almost no appeal to me, partly because I think that I'm very bad at making snap decisions. In any case, it was only after reading a book that has traveled in its wake - Freakanomics: A Rogue Economist Explores The Hidden Side of Everything (William Morrow, 2005), by Steven D Levitt and Stephen J Dubner - that I felt inclined to pick it up. The two books make for an interesting contrast.

Both are brainy but not obscure, and both are great reads. Both are studded with interesting, unexpected, and sometimes quite surprising information. Both clarify great swathes of our world (although I suspect that for their readers these areas were fairly clear already; the people who might benefit most from Freakanomics are unlikely to read books at all). But for Freakanomics to be as useful a book as Blink is, it would have to come in several volumes, and be very comprehensive indeed. Maybe it will.

Continue reading about these crazy books at Portico.

June 26, 2005

Spring, 1980, South Bend, Indiana

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The parents meet. From left to right, my father, Kathleen's brother, Kathleen's mother, my step-mother, Kathleen, and Kathleen's father. Presumably we went out for dinner somewhere after drinks. It went very nicely; everyone got on. Aside from my father, everyone is in the picture is still with us and thriving.

It's my belief that in-law problems are the result, not the cause, of a shaky marriage. If both parties are really in love, and each puts the other first, then in-laws, no matter how obnoxious, interfering, or even hateful, remain pains in the neck, bores to be borne. And you bear them because you're in love. Your spouse doesn't let them interfere with his or her decisions about the two of you. It's only when one of these statements is not true that the in-law nastiness can poison a relationship. In case this sounds too easy, there's a catch. There's no way to be sure that you're going to put your spouse ahead of your parents until they've all spent some time together. One of the worst assumptions that you can make is that, having passed the first rencontre with flying colors, your spouse is going to continue to delight your parents. You have to make sure that the mutual exposure is wide-ranging, with perhaps a helpful argument or a neatly-defused squabble providing enlightenment. This is a hard program for lovers who feel sure about marriage. But then, I wasn't really talking about how not to enter a marriage that will become shaky.

June 25, 2005

Jazz at Carnegie

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The JVC Jazz Festival Concert at Carnegie Hall last night was a terrific blast. In the first half, Dave Brubeck led his quartet of snowy-haired musicians through a playlist that showed off a very broad repertoire of styles and moods. In the second half, the John Pizzarelli Quartet was assisted by a number of Mr P's friends, including his wife, the singer Jessica Molaskey. (Mr and Mrs P sang a very funny duet about a professional couple too busy with their resume building to have much quality time together. What I call the "default ringtone" figured in a piano riff in the middle of the number.) I am not going to write about the concert, however, until the CDs arrive, because there wasn't much information in the program.

I couldn't believe our good luck. It turned out that Mr Nerb knows someone at JVC - someone well-fixed enough to hand out four tickets in the fifth row, and on the aisle at that. That was just for starters. The evening was a flying carpet of exactly the kind of jazz that I like, built on standards or, in Mr Brubeck's case, on tunes that sound like standards but aren't. Entertaining as he is - and that would be very entertaining; Mr Pizzarelli carries around an inner stand-up comic that isn't entirely repressed - Mr Pizzarelli is running a preservation outfit to which the entire history of jazz is accessible.

All the musicians (with the exception of one guest) wore jackets and ties - suits, as a rule. This did not seem to keep them from physically losing themselves in their performances. Pizzarelli guest Grover Kemble, a genuine card, accompanied his scat singing with a two-step that suggested both of the great interwar dances, the Charleston and the Lindy.

Loose Links

¶ It has been a long week, and  I've but one link to pass on to you. Toxic Studios is a Norwegian digital animation outfit that Andy Towle at Towleroad discovered, in connection with June Pride events. You must by all means watch the Oslo Europride promo, entitled "A Sad Story" (it's anything but), but don't miss Toxic's video resume. Click the "Showreel" tab on the page d'acc and sit back. What you'll see has the air of a commercial made five years from now. The only mistake that these gifted designers have made is in choosing their moniker; there is nothing toxic about Toxic.

June 24, 2005

Friday at the Museum

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There are so many great things about Ms NOLA's new job that it would take all day to go through them, but for our purposes, suffice it to say that getting off at lunchtime on Fridays in summer is pretty neat. We had another afternoon at the Metropolitan Museum to kick things off.

There are two shows at the museum that, while not unforgettable, are well worth seeing. The first is a major retrospective of Max Ernst's artwork; it's going to close in a couple of weeks. The other is a minor show that examines the inspiration that Henri Matisse drew from bold and exotic textiles. At the start of the show, there's a fragment of fabric that belonged to the painter, and it is surrounded by pictures in which Matisse improved upon it as a backdrop for still lives. The pattern, a late-eighteenth century print in blue on white of flowers in garlands and nosegays, is of a fussiness that Matisse completely eliminates each time he exploits it. Throughout the show are many other panels, articles of clothing, and even some quilted, cut-out North African wall hangings that simulate tracery grillwork. It was not clear to me if any of these items belonged to Matisse, but that's not to say that they have no bearing on the show. The paintings, of course, are genuine, and they all show that Matisse could transform color and a sense of play into joy of a high order.

Max Ernst, a member of the surrealist circle that formed in Paris after World War I, was a craftsman as well as a dreamer, and what surprised me most about his paintings was the feeling of quality about them. They're quite painstakingly done. My favorite was Snow Flowers (1929), above. No reproduction can do justice to the illusion of fabric texture that Ernst coaxed from his brush to make the round blob in the lower center of the picture, and no reproduction would be likely to get the colors just right. It is a haunting picture, and I can well imagine falling in love with it. The images that are famous because they're creepy - The Robing of the Bride, and The Angel of the Hearth - left me unmoved at best; Robing is every bit as shocking as it was undoubtedly meant to be, and I can't imagine spending more than ten minutes in its general vicinity. But the abstractions are most absorbing. They are also, of course, not surrealist.

Now we're off to Carnegie Hall. Ms NOLA's housemate, Mr Nerb, has scored some seats for a JVC Jazz Festival New York concert featuring Dave Brubeck. Jessica Molaskey will be among the guests. I've no idea where the seats are, but we ought to have a good time. I'll let you know.

Broadway Danny Rose

This morning's croissant is at Good For You.

June 23, 2005

That's all very well, but does Paris love me?

Reading about Americans buying pieds-à-terre in Paris prompted this declaration to Ms NOLA: "The whole purpose of my blog is to make me so famous that the French welcome me as an honorary Parisian, tax-free." I'm working on it! Two paragraphs a week en bon français may max me out, but I'm working on it!

JR, at L'homme qui marche, feeds these longings with the news that Google Maps now covers Paris. He, however, is not having a great time in the heat, especially given la fête de la musique, an annual nocturnal carnival that, like everything, used to be better. One commenter dismissed it as little more than the occasion for badauderie saoulographique (drunken passers-by making a racket).

Speaking of famous, Jason Kottke was on TV last night. I didn't just happen on it, believe me. Mr Kottke announced it in advance. He was a guest on something called "Attack of the Show" on G4 TV. I had no idea if I even got G4 TV, but it turns out that I do. It will be a long time, however, before I tune in again to a channel devoted to video games. (They're unbelievably grim, as an hour of G4 reminded me.) Mr Kottke was mellow and self-possessed, far less amped by the studio environment than the earlier guests. He even made his host look frantic. I am watching the development of kottke.org with the greatest interest. As it shifts from a technoblog to something broader and more humanistic, as Mr Kottke enters middle age and reflects more frankly and more pertinently than a young person can, the challenge of creating a reader-supported blog deepens richly. And the author happens to be one of the more gifted Web log photographers.

There But For

The other day, Joe Jervis posted a very moving entry at Joe.My.God. Entitled "Mrs Witten," it was about a middle-aged businesswoman coping with the huge expense, uncovered by Medicare, of her father's cancer medication. Perhaps because I'm a writer, I found myself re-reading the entry to imagine Joe's thinking as the quiet drama unfolded. When did he know that it was something that he would write up? Did he make a point of remembering particular details, or does he just soak them up? Like everybody else, I love a good story, but I have never been able to get myself to try writing one. So it is with genuine admiration that I hail Joe Jervis as a truly gifted story-teller. And I'll probably say so again, the next time he wows me.

One of Mrs Witten's drugs was Thalomid. Wondering why Medicare wouldn't cover an analgesic (and somewhat surprised to learn that the drug has ever been approved in the United States), I did a quick bit of research and discovered that "Many consider thalidomide to be the first new agent with major antimyeloma activity in more than 30 years." The page is somewhat conflicted - perhaps only to a layman - about the status of FDA approval for thalidomide therapy, but I gather that it is pending. That might be why Medicare doesn't (have to) pay. When I told Kathleen this, she shuddered a "there but for the grace of God" shudder. Of course, we were both thinking about my Remicade infusions.

Kathleen assures me that Remicade was approved for my syndrome (which ought to have a name - and a snazzy name at that) at about the time that I had my first infusion. At the time, she adds, each infusion had a price of six thousand dollars. That would have translated into $48,000 in the past year - an expense that we could hardly afford. Any doubts about the efficacy of the drug were dispelled this past April. The scheduled infusion was canceled because there was a possibility that I had developed an allergy to Remicade; the doctors eventually decided that the allergen was something else. But for two and a half weeks, I felt at the start of each day that I had fallen down a flight of stairs from the previous day's level of malaise. When the rheumatologist saw me at the beginning of May, I didn't even have to say how I felt or how desperate I was to resume the infusions. He simply told me that I had to get back on schedule quickly. There were no openings at the Infusion Unit until late May, but I jumped to fill a cancellation on the tenth. I was glowing within three days. The ups and downs with this drug are extremely sharp.

For reasons too arcane (for this entry, anyway), I probably ought to have started Remicade properly again, with three infusions within six weeks. I know that I could have used a second, about a week ago. My next infusion is scheduled for 5 July, and I think I'll just make it. I'm having a lot of difficulty lifting anything over my head, and getting into bed has begun to be painful again. I can live with it, knowing as I do that it will come to an end as of a date certain, but I want you to know that without Remicade my life would be a lesser thing. I would be a semi-invalid, capable of cleaning myself but not much more. Walking more than a block would be a trial. And a grey haze of depression would settle over everything. I don't know that I would ever stop feeling guilty for being so helpless and unproductive.

Fifteen years ago, when my degenerative illness was moving toward center stage, Remicade did not exist. So I have just told you what the rest of my life might have been like. If I'd been born a hundred years ago, I don't know what they would have called what's wrong with me. We know that Ramses II had it, but it lacked a name (ankylosing spondylitis) until quite recently, some time after I began to express symptoms. So I am very glad to be living right now. But stories such as Mrs Witten's can bring on moments of vertigo. And I have to ask: am I worth $48,000 a year, just to keep functioning? As I've phrased it, that seems like a terrible question, but consider what it really asks: is there any justification for my benefiting from a treatment that many people cannot afford? (And I expect that there are many patients who don't even know it exists.) I salve my conscience a little by imagining that, if more people received the drug, its cost would come down. This is not necessarily true. It is fabricated on the spot, not in a factory, which means that a technician composes every dose. Then it is administered over a two-hour period via a regulated (pumped) intravenous drip. Recipients' vitals are measured throughout the infusion. At the Hospital for Special Surgery, there are ordinarily four nurses on duty, in a room that seats no more than five patients at a time. (And even then not everybody in the unit is getting Remicade - far from it.) All this to treat an ailment that is not life-threatening. Just life-diminishing. I don't get anywhere with the question, of course, because to thank heavens for my good luck is not an answer, even if it is the answer that our leaders have been trying to get away with for decades.

Please blame Joe Jervis if you've found this bleak reading. I don't mean the man himself, I mean "Joe Jervis," the story-teller. It occurred to me as I was coming home from yet another appointment (gastroenterology) this afternoon that Joe's stories are so well crafted, and so complete in themselves, that it is probably prudent to make a certain distinction. Just as we speak of "the Marcel of the novel," so we should speak of "the Joe of the blog."

June 22, 2005

Move Over, Vlad

Here's something ghoulish to read as you sip your latte. One really hopes that a film will be made - something experimental, like Joan of the Angels (1961), which I haven't seen since college. But in color, definitely. Remote Romanian settings would demand color.

The incident has a striking medieval flavor. No power, no running water, just a priest and a remote convent. But there is a modern touch, too. The novice (Sister Irina had only been at the monastery for three months before her crucifixion) had been treated for schizophrenia. But the priest, if he knew that, didn't put much stock in science. The seriously absent detail, of course, is the subject of the argument that the nun and the priest were having during Mass - "according to locals." (Are these "locals" Central-Casting peasants from Hammer Studios, or what?) I would venture that it was Sister Irina's challenge to Fr Daniel's authority that served as proof of her Satanic possession.

Have you read The Devils of Loudun, Aldous Huxley's spellbinding account of events occurring in a provincial French town in 1634? It may be that Vintage is about to reprint it; if you see the new title, snap it up and settle down for a good read. Well, I remember it as being a very good read. When I first read the book (again in college), 1953 seemed a long time ago, but it was only fifteen years. Huxley, who most certainly did not believe in Satanic possession, saw in the persecution of Urbain Grandier, a priest who may have been fooling around with the prettier nuns in his cure, a fantastically displaced intrigue involving Cardinal Richelieu (then at the height of his power, and in the middle of his famous castle-demolition project) and the local sire (who wanted to keep his castle). Père Grandier lined up with the losing side (guess which one), but roasting alive still seems excessive.

There is, of course, the opera by the same name of Krzysztof Penderecki. I bought the first (and probably only) recording, and listened to it once. I may still have it. If so, I'm getting rid of it. The atonal music completely prevents goosebumps.

And then there's something new to me, Michel de Certeau's The Possession at Loudun (Chicago (translation), 2000). Perhaps I ought to have looked into this before buying a used copy. The word "discourse" may appear in it rather more frequently than I can bear. In all these versions of the historical anecdote, it's the priest who gets killed, not the nun. I'm not up on the Romanian death penalty, but if there is one Fr Daniel may be up for it.

Even though the crucifixion occurred just the other day, it took place in a world almost as distant as seventeenth-century France, and even farther from the kind of objective record-keeping that would give us a reliable account of what the hell was going on.

June 21, 2005

Mon Quartier (II)

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En règle générale, les rues de Manhattan ne sont pas très commerçantes. Même les grandes rues à deux sens sont pour la plupart données aux grands immeubles de bureaux ou d’appartements. Parmi les exceptions figure la Quatre-vingt-sixième rue. Il y a pas mal de petits magasins tout le long de la rue, entre (comme j’ai dit au poste précédente) l’Avenue Lexington et la Première avenue. On y vend des vêtements, des mobiles, des chaussures, du linge de maison. Il y a une grande succursale de la libraire Barnes & Noble en face de la rue. (Il y en a une autre à deux blocs !)

Mais tout cela n’est pas pour moi très convenable. Sauf la librairie, je ne fréquente pas ces magasins. Jusqu’à la réhabilitation récente de la Cent vingt-cinquième rue, rue principale d’Harlem, le commerce de notre rue était orienté vers les gens de moyens faibles. Les marchands d’Harlem étaient arnaqueurs, et pour faire les courses on descendait jusqu’à mon quartier. Bien qu’il y ait aujourd’hui du bon marché sur la Cent vingt-cinquième rue, la qualité de la marchandise ici n’est pas du haut de gamme.  

What's Love Got to Do With It

It's hard to say how big - and how firm - the iceberg is, but the tip of zealous anti-gay-marriage campaigners that we got to see in Sunday's Times Magazine augurs ill for liberal society. Russell Shorto's report from Maryland was too upsetting to read all at once; I had to put it down and glance through the Book Review. There was nothing really surprising in "What's the Movement to Outlaw Gay Marriage Really About?", at least not or me; I've been convinced that the defense of traditional sexuality has come to determine almost every Republican Party policy, from stem-cell research bans to environmental laissez-faire. I am also fairly sure that religion is a tool, not an inspiration. It is unlikely that anybody currently alive is following every command of the Bible; in many cases, doing so would be illegal. The Bible contains some of the oldest text in the world, and any attempt to follow it literally requires serious interpretive somersaulting. Anti-gay-marriage (AGM) activists cherry pick as well as any group. But the wellspring of their thinking is hardly unique to Christians.

The homosexual community would have us believe that marriage is simply about loving one another," said Rick Bowers of Defend Maryland Marriage. "I say it's about two human beings who are wired completely differently, one with estrogen and one with testosterone, living together in love but with the purpose of procreation. It's a lot deeper than love."

How could anything be a lot deeper than love? Doubtless Mr Bowers really means to say "more primitive." It's as though - and this is an amazing twist, considering the source - we're being reminded not to forget that, beneath our human superstructures, we're animals subject to the "purposes" of animal life. In any case, love is clearly secondary in Mr Bowers's quite secular restatement of marriage.

Continue reading about anti-gay-marriage activism at Portico.

June 20, 2005

Ambling among the Physicians

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On Friday, I had two doctors' appointments. The first one was in Midtown, and when I climbed out of the subway at 59th Street, this is what I saw. I think it's rather poky, don't you? The girdered bridge and the smokestack and the trees. I could be in a small city on the Mississippi - thanks to cropping.

I thought I'd find something to do between the appointments, but I was in and out of the first one so fast that I couldn't think. I was hungry for lunch - a bad thing. I cannot go into an unfamiliar restaurant if I am hungry, and all the ordinary coffee shops in Midtown are unfamiliar to me. So I got back on the train and went back up to 86th Street. What a failure of imagination! But Burger was Heaven. As it was still too soon to head to the Hospital for Special Surgery, where my rheumatologist would prescribe my next infusion (yay!), I headed home and picked up a package in the lobby. It contained an orchid that I'd bought from Orchids.com. It's like the one that Kathleen bought at the Orchid Show in April: red spots on a white background. Buying orchids online assures that most of the buds will open at your house, not at the florist's.

Then I sat down to play Freecell. Last week witnessed a breakthrough in my approach to this game, which you can count on my playing if you're talking to me on the phone. I've been addicted to it for well over ten years. I win most games handily but I will replay a losing hand until I beat it. As I said to Kathleen, I don't think much about playing a hand the first time, but it gets a lot more attention the second time. By the fourth or fifth play, I'm Mr One-Track Mind - an unusual state for me. Anyway, I realized last week that I had a tendency to prioritize the getting of kings to the tops of columns. This is a hangover from the Klondike of childhood, in which new row stacks can be started with kings alone. I saw, too, that this predilection is a mistake. The first item of business in Freecell is to free up the aces, and then the twos. Having made it this far, the stacks will have probably opened up nicely. There's no reason to worry about court stacks at first. I'm playing a small percentage of hands fewer more than once.

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Then it was down to 70th Street and the river, where everything went nicely. The weather was so pleasant that I thought I'd walk home along the promenade between the FDR Drive and the water. Or at least I'd walk up to 77th Street and then head over to Agata & Valentina, and First Avenue and 79th Street. As I reached the far end of the footbridge that crosses the Drive, right outside the hospital door on 71st Street, Roosevelt Island looked very grand in the afternoon sun; I wish I could show all the pictures.

Now, it couldn't have been more than fifteen minutes after I'd crossed the 77th Street footbridge and headed inland that the MBNA helicopter crashed into the East River, about forty blocks to the south. I'm not sure that I'd have seen it even if I'd been looking for it, because the plane never got that far from the shore, which at that point would be hidden from a southward glance by the mild protrusion of Sutton Place, which swells out into the River just above the United Nations. I read about the near-disaster as soon as I got home, at Gothamist, which I just happened to glance at. It took the Times a good fifteen-to-twenty minutes longer to get the story onto its site. Go, Jen Chung!

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Here is a closeup of the balconies overlooking Cherokee Place and John Jay Park. These buildings are very atypical of New York; they naturally would seem to be much more at home in New Orleans, or on Shamian Island in Guangzhou. There are four blocks of flats, each with its own interior couryard and open-air stairwells. I'm pretty sure that it's on one of these that Christopher Gill (Rod Steiger) passes Kate Palmer (Lee Remick) on his way to commit a serial murder, at the beginning of No Way To Treat A Lady (1968).

June 19, 2005

Summer, 1980, West 81st Street

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Kathleen, in a moment stolen from studying for the Bar exam. In case you're curious, we both passed the first time. It was one of those fat-envelope, thin-envelope things: you definitely wanted to find your mailbox jammed with a fat one, stuffed with further applications - because passing the Bar in New York makes you eligible to apply for membership. Interviews, character references - a real pain in the neck. But if you saw the thick envelope, you were past the worst. You knew before you even opened it.

To tell or not to tell? Kathleen is thinking of joining the Straphangers Campaign, an organization of subway riders who seek to put pressure on the powers that be. When she mentioned this again the other day, I remembered something that I'd seen at Gothamist and asked myself, should I tell her or not tell her? Not a believer in fools' paradises, I told her. She wasn't happy to hear that the Grand Hyatt, a mediocrity from the 1980's, may collapse upon the northbound Lexington Avenue train - which, according to a piece by the Straphangers leader, Gene Russianoff (he may even have founded it), carries forty percent of the entire system's traffic. And you wonder why we're screaming for a Second Avenue Line.

June 18, 2005

Loose Links

¶ Patricia Storms has done it again: be the first on your block to read her new strip, The Guttenberg Code. Chuckles galore! Patricia writes that she was inspired to write the strip by a publishing lament by author M J Rose, a name new to me.

¶ Have you discovered Sublethal? Ronnie Cordova is a published writer who produces malignant but elegant esquisses on his blog. The published pieces, linked from the sidebar, tend to be funnier, but who wants funnier? Tinctured in psychopathy, the posts do not invite comment.

¶ What will Maria do? Porn-star Mary Carey, "fully-converted" Republican, is thinking of running for Lieutenant Governor in Californ-eye-o. She was a featured guest at a Republican fundraiser that raised $23 million. Be sure to listen to Ms Carey's report of how much fun the party was.

June 17, 2005

Because We Could

Thanks to Édouard at Sale Bête, I glanced at Eschaton. Édouard's link was to a cogent entry in which Atrios asked how on earth we're going to get out of Iraq if we don't know why we went in?

I haven't looked at a political blog in ages, and now I see why. I'm impatient with questions to which the answers are clear. It was apparent to me as the march to war was heating up in the first two years of the first Bush Administration that the ongoing regime of Saddam Hussein was simply intolerable to the president (for his own reasons) and to the administration's neoconservative policy wonks (for their own reasons). It's ludicrous to say that the administration led us into war under false pretences, when in fact we allowed ourselves to be led into war on patently flimsy pretexts. No good reason for offing Saddam Hussein was ever put forward. We went to war because we could - something well-known wherever the severely crippled American mainstream media don't control the news.

What kind of car do you drive if your given names are "Cornelius Crane"?

From the obituary of eminent book editor Edward Tinsley Chase, dead at 86,

Mr. Chase is survived by his wife of 56 years, Ethelyn Atha Chase, a past chairwoman of the Academy of American Poets; two sons, Edward Thornton Chase of Mount Vernon, N.Y., and Cornelius Crane Chase of Bedford, N.Y., the comic actor known as Chevy Chase; two daughters, Prof. Cynthia Chase-Culler of Ithaca, N.Y., and Daphne C. Rowe of Bryn Mawr, Pa.; and nine grandchildren.

The Naumburg Competition

The other night, I did something new. I attended a vocal competition. Anywhere else, perhaps, such an event might be more trial than pleasure, but the prestige of the Walter W. Naumburg Foundation International Vocal Competition in Concert Repertoire - not an annual event - draws very capable contestants. Aspirants submit audition CDs, and from these, this year, forty-odd were chosen. In two previous rounds, all but four singers were eliminated. These four were the finalists who sang at Alice Tully Hall on Wednesday night. The singing was excellent throughout, and even the accompanists were remarkable - I thought of them rather as pianists. More on that later. The event itself was curious.

Continue reading about the Naumburg Competition at Portico.

June 16, 2005

Alphonse le grand, roi des gazons

I'm sorry, but there is such a thing as the best photograph of a cat ever. And it is here. Taken by JR of L'homme qui marche  - trouvable à droite.

Up From Welfare

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Before writing about Them, I wanted to read a few reviews, so I turned to Metacritic. One of the cited reviews, Kate Bolick's in The Boston Globe, paired Them with a book called Welfare Brat (Bloomsbury 2005), by Mary Childers. I had not heard of this, but I was so intrigued by Ms Bolick's write-up that I ordered it on the spot. Shortly after its arrival, I read it all in one afternoon.

I began, as always, with the author's photo on the dust jacket. Mary Childers looks like an attractive happy, centered, and possibly privileged child of Westchester or Fairfield County. I would soon learn that there is no trace of Webster Avenue or Highbridge in her voice, either. Welfare Brat is all about the pressures behind this almost miraculous transformation.

Continue reading about Welfare Brat at Portico.

June 15, 2005

Do not read this during takeoff, landing, or in between

Yesterday's most shocking story was the news of two young commercial airline pilots who, ferrying an empty plane between depots, decided to "see what it could do." They ran the jet up to 41,000 feet - and the engines died. The pilots, aged 31 and 23, tried to glide to a landing but failed. They were killed in the crash; fortunately, no one else was.

Anyone who says "cool" has to go back to extended homeroom.

Tatiana and Alexander

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(Introductory Note: I love the jacket photograph, which is printed on a foily paper that apparently shows up all my grubby fingerprints. Astonishingly, the photo is credited (and dated) nowhere in the book or on the jacket.)

It has taken a few days away from the outsized characters at the center of Them to consider sitting down to write about the book that frames them. Tatiana Yakovleva Du Plessix Liberman and her third husband, Alexander Liberman, never settle down; they never achieve the stability, as characters, that judging them would require. Now gracious, now heartless, now loving, now indifferent, they seem more like weather patterns than people. That this irresolution is never confusing or annoying signifies, to me, that their creator, Francine du Plessix Gray, has managed to bottle her own ambivalence. She loves them, and she forgives them, but she has drawn portraits that the subjects of her book would probably not care to read.

As you may infer from all those names, Francine was Alexander's stepdaughter. Her father, Bertrand du Plessix, was shot down in 1940 on a flight from Africa to join De Gaulle in London. This is almost certainly the death he would have wished for; his life seems to have been an unsatisfying accommodation of the quotidien. A plausible aristocrat - no one else in his family had used the title "vicomte" very recently - he seems to have been rather like one of Alan Furst's French heroes - sad about war but also brought to life by it. But to posterity, the most remarkable thing about Bertrand is likely to be the fact that his widow concealed news of his death from their daughter for over a year.

Continue reading about Them at Portico.

June 14, 2005

Mon Quartier

Je voudrais vous parler un instant au sujet de mon quartier. J’habite le quartier de Manhattan qui s’appelle « Yorkville ». Cet appellation n’a rien à voir avec le nom de la ville. Jusqu’à la Première Guerre Mondiale, le quartier s’appelait « Germantown » (à cause de la population pour la plupart allemande), nom qui devint une source d’embarras. Il fût remplacé par la suite pour rendre honneur à un héros de la Guerre, Sergeant Alvin C York, soldat du Tennessee.

La rue principale de Yorkville c’est la Quatre-vingt sixième rue, ou, pour mieux le dire, les blocs de la rue entre l’Avenue Lexington et le Parc Carl Schurz. Le quartier s’étend jusqu'à la Quatre-vingt seizième rue au nord et à la Soixante-dix-neuvième rue au sud. Moi, j’y habite au beau milieu.

The Blue Brain

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Don't expect me to be intelligible about it, but I've just got wind of The Blue Brain Project. And I've learned about an important brain structure of which I hadn't the least notion before opening the current Economist and reading about it. It's called the Neocortical Column (or NCC), and at the very least you have to check out the images at the Project's site. Shown here are "pyramidal neurons," about which the only intelligent thing that I have to say is that the top of the image is the outer edge of the brain. The structures are about 0.5 mm wide and 2 mm long. There are about a million of them in the brain, and each connects to about ten thousand nerve cells. The discovery of the NCC earned two scientists the Nobel Prize in 1981.

The Blue Brain Project is going to put the type of IBM supercomputer that is currently studying brain chemistry to work juggling digital simulations of an NCC. That's step one. It is believed that the rules governing NCC operation have been successfully captured in digital expressions; now these will be organized to simulate an actual NCC. According to The Economist's sources, the entire brain might be modeled in ten to fifteen years. Kathleen is not going to be happy when she reads about this, but, for the moment, I'm simply amazed. I had no idea that research had gotten this far.