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Barbara Bonney at Orpheus

If I say that Saturday night's was not one of the great evenings at Orpheus, that's only to show that I have a sense of degrees. By any standard, it was a very fine concert, worthy and interesting, and, at the end, huge fun. The dampers are two: first, the ensemble failed to ignite during Mozart's Symphony No. 29 in A, K. 201. It may be that the symphony lacks combustible material, and it may be that I was inattentive, but moments of ignition with Orpheus are invariable signaled by a strange effect among the violins: their bows all appear to be pointing to the same pole. The symphony's charms, however, were all well polished and on view. The symphony dates from the period of the violin concertos, and has the same warm blush, but here, without a soloist to stand behind, Mozart pushes the four non-stringed instruments - two oboes and two horns - occasionally to the front. I used to sniff at these, at the time to me, non symphonies because they lacked all the color of Mozart's mature orchestra, and only the oboes distinguished them from the horn-backed serenades and divertimenti. I've outgrown such thinking. The symphony was most welcome.

Continue reading about Orpheus and Barbara Bonney at Portico.

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Comments

One of the better reviews I've ever read on a blog. Emotionally connected, yet objective, well thought out, well written, well...well, hell, it was just good. Congratulations.
Hojoto.

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